lot of work of every artist, of anyone in any creative profession, is
somewhat autobiographical ...... Something of his experience is
always attached to it, it remains there and one brings it out in one
form or another. That is how it is."
Rajji, as he was always addressed, was the eldest son of
Prithviraj and Rama Kapoor. He was born on 14 December 1924 in
Peshawar, an army cantonment town in the North West Frontier Province
of British India, now in Pakistan.
His basic education was spread over different places as Papaji
(Prithviraj) was then on the move. He studied in Peshawar, then did
part of his schooling in Calcutta and eventually failed to get a form
to appear for the Matric exam in Bombay's Antonia D'souza High
School. His nemisis at studies was the cumpolsory second language,
Latin. He achieved the unprecedented distinction of winning the All
India Elocution Competion for three successive years but failed in
Latin and that was the end of his academic career. When Papaji asked
him as to why he wished to leave school and not try again he replied,
"Sir, If I graduate what happens? If you want to become a lawyer you
go to a law college; if you want to be a doctor you go to a medical
school; and if you want to be a film-maker, where do you go?" Papaji
had no answer. It was ordained.
The next 5 years he devoted to learning the different arts of
film making in all departments as an assistant. In 1944 he joined
Papaji's Prithvi Theatres and was responsible for all that happened
backstage, right from the lighting of the sets and sound effects and
music to art direction in their first stage play 'Shakuntala". In the
next play "Deewar" he acted in a small role of the servant boy, and
then in the famous Prithvi Theatre epic, "Pathan" as Bahadur Khan that he was noticed as an actor and stardom awaited
He did his first film as a hero in Kedar Sharma's "Neel Kamal".
There followed a number of small films like "Jail Yatra', "Amar
Prem", "Dil Ki Rani", "Chittor Vijay" but these were of little
consequence, as his heart and mind were set on a different path he
had chosen for himself.
His own production, RK Films took shape in 1947 with his first
directorial venture, "Aag". Though not a great success it established
his obsession as an intense film-maker. A year later his second film
"Barsaat", also produced, directed and acted in by him, made
headlines as a box office super hit and became the springboard of an
After Barsaat he made the most universally accepted socio-musical
and romantic film with a very topical and strong message to world
cinema about film standards in India, comprising the first ever
father son combination, "Awara".
The Shri 420 had taken off.
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